Skip to main content

King Crimson - Larks' Tongues in Aspic

https://www.debaser.it/files/2007%2F17383.jpg

        King Crimson is a classic 70s progressive rock band with a unique jazzy sound that makes their music very fun and interesting. If you have heard of King Crimson at all, you probably at least know of their first album, In the Court of the Crimson King, and its popular song, "21st Century Schizoid Man". Although that album is undeniably great, I actually prefer this album, Larks' Tongues in Aspic
        The first song on the album, "Larks' Tongues in Aspic, Part I", begins with a peaceful soundscape made by the sound of wooden wind chimes. Eventually, this transitions into the sound of frantic fiddles. The tension slowly builds as the fiddles get louder and some guitar and improvisation on what sounds like a found object drum kit is added in. Suddenly, a loud, sludgy guitar riff blasts through, completely taking you off guard. Like a lot of king Crimson songs, this one is full of interesting experimental jazz and improvisation.
        Another of my favorite songs on this album is "Easy Money". This song begins with a reggae like melody, and once again makes use of found objects unusual instruments to create a kind of uneasy sounding and interesting melody.
        Just like part 1, "Larks' Tongues in Aspic, Part II" is another winner. This song is full of all kinds of interesting jazzy melodies that create all kinds surprising and sudden jumps and changes. I'd describe it in more detail, but really you need to hear it to fully appreciate it.
        What makes this entire album so good is the surprising twists in the music, the interesting and jazzy melodies that constantly keep your attention, improvisation that is noisy and erratic, yet somehow flows perfectly with the everything else; the result is one of the greatest progressive rock albums of the 70s.

Comments

Popular

Helloween - Keeper of the Seven Keys: Part 1

Listen Here         I t's October, and Halloween is around the corner, so I thought I'd celebrate with some spooky, Halloween themed bands, or maybe just a band that has a name that sounds like Halloween. If I feel up to it, I might even make a second post this month on Halloween with a second Halloween themed band.          Helloween is one of the original power metal bands, and is credited with creating the genre which is modern European power metal. Despite the band's name, Helloween isn't really a Halloween themed band, although the do have a few songs on the topic. Helloween's music is often very grand and whimsical in nature with fantastical themes. Considering Helloween is a band that helped found power metal it's not very surprising that the genre is also characterized by fantastical themes and  grand melodies. In addition both also feature singers with clean vocals and large vocal ranges. Hello...

Agalloch - The Mantle

"A celebration for the death of man..." "...and the great cold death of the Earth" The names of the first and eighth tracks come together to create a perfect description for the mood of this album: It's harrowing, it's dreary, it's the soundtrack to the world slowly dying. The Mantle is the second studio album by the American blackened post metal band, Agalloch. If you want to know what blackened post metal sounds like, imagine black metal, way slowed down, and with some doomer guitars thrown in. Agalloch is especially good at throwing doomer guitars, and as a result has created some of the best music in the genre. The band created five great albums, but their  pièce de résistance  is The Mantle. The songs on The Mantle sound desolate and mournful in a way that feels almost terrifyingly relatable. Chilling song titles such as "A celebration for the death of man...", "In the Shadow of our Pale Companion", "You Were but a Ghost in ...

Behemoth - Demigod

Behemoth is one of my favorite extreme metal bands. I would classify them as blackened death metal, although they are more death than black, at least in their more later albums. Their lyrics have satanic and occult themes, which are common in these styles of music, but also often have deeper, more thought provoking lyrics. Behemoth's early albums, such as Seventh (Storming Near the Baltic) and Grom had a much more traditional black metal sound reminiscent of early Mayhem and Emperor. This changed in 1999 when Behemoth released Satanica , which featured a slightly more accessible blackened death metal sound, which personally, I liked better. This sound further developed until Behemoth released one of their best albums, Demigod , in 2004. Behemoth's sound now distinguished its self with impressive guttural vocals and surprisingly good guitar harmonies and riffs which work well with the rest of the song. The two albums following Demigod weren't quite as good, but Behemoth...